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c. 1445 – May 17, 1510. Italian painter.

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ZIMMERMANN Johann Baptist
The Nymph as Symbol of Nymphenburg (mk08)

ID: 21946

ZIMMERMANN  Johann Baptist The Nymph as Symbol of Nymphenburg (mk08)
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ZIMMERMANN  Johann Baptist The Nymph as Symbol of Nymphenburg (mk08)


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ZIMMERMANN Johann Baptist

German painter, Bavarian school (b. 1680, Wessobrun, d. 1758, Menchen). Painter and stuccoist. Much of his early stuccowork and frescoes, such as that in the choir of Gosseltshausen parish church (1701) and the refectories of the abbeys at Tegernsee, Weyarn and Beyharting (before 1710), has been destroyed. His earliest surviving stuccowork (1707-9) is in the pilgrimage church of Maria Schnee, near Markt Rettenbach, and reveals the influences of Johann Schmuzer from Wessobrunn and an Italian stucco workshop that practised in Tegernsee.   Related Paintings of ZIMMERMANN Johann Baptist :. | David and Uriah or Ahasuerus,Haman and Harbona | Dona isabel cobos De Porcel | Mary Magdalen | Madonna and Child Enthroned with Angels and Prophets (mk08) | The Self-Portrait of hell |
Related Artists:
Henri Regnault
Paris 1843 - Buzenval 1871. French Academic Painter, 1843-1871. Studied under Alexandre Cabanel. Specializes in Orientalism. Painter, son of Victor Regnault. He showed exceptional abilities as a draughtsman from an early age. After a traditional classical education he was sent in 1860 to the Ecole des Beaux-Arts, Paris, where he studied with Louis Lamothe (1822-69) and Alexandre Cabanel. In 1866 he won the Prix de Rome competition with Thetis Giving the Weapons of Vulcan to Achilles (Paris, Ecole N. Sup. B.-A.). In Italy he began several other ambitious history paintings, including Automedon Taming the Horses of Achilles
Otto Pilny
Swiss, 1866 - 1936
Erik Pauelsen
painted Ove Malling in 1700s






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